I received a free class from CreativeLive in exchange for an honest review. I have taken other self-paced online classes and even have taught a lit-based online course. I enjoy the format of being able to watch and rewatch lessons and to piecemeal my learning where and when it is relevant.
I chose Joyce Maynard’s How to Write a Full-Length Memoir for a number of reasons. I had read her At Home in the World about her love affair with J.D. Salinger and early career and first marriage. I thought it was an excellent memoir, honest and elegant and unapologetic. I have also written a couple of memoir drafts and struggled to make the chapters cohesive. I’m so tremendously glad I chose this class. It was truly more than I expected. The class itself is actually exhaustive learning—I had to take a few days to go through the lessons as they are full of vulnerable stories and practical methods that I’d never used before.
The initial high-level advice about memoir writing Maynard offers isn’t very revolutionary. You can find much of the same advice in Susan Shapiro’s book The Byline Bible on personal essays. I agree with much of the advice, such as not writing to burn someone and not writing about every detail that happens to a person in a season. I just didn’t find it groundbreaking.
The setup works for the digital student but the “audience” setup for the class seemed a little clinical. I wasn’t sure if this was an episode of “The Doctors” with a studio audience watching Dr. Joyce do surgery on their sentences. But once she put the students in the chair next to her, it felt much more intimate. I LOVED the session - Lesson #14 “When you aren’t used to being centre of attention” - with sports journalist Tom Callahan. As a writer, Callahan was working with fascinating material. As a student of memoir, though, Callahan benefited from Maynard helping him find his central theme and throughway for shaping his book.
Other wonderful high points for me:
Very generous analysis of one critical scene in At Home in the World - super gripping and a good scaffolding of how the scene works
Lovely and generous live critiques of her students’ work - first sentences shown on a projected screen. Maynard does a great job procuring from the students why the information is important, what the material means, how they can stretch themselves as writers.
Helping the students to identify a theme that runs throughout their stories is very actionable and is certainly something I took away from this class as I could see how one susses it out from an ordinary paragraph full of sequential events and other information.
The way Maynard shows how she categorized themes for her memoir The Best of Us was an excellent tactical show-and-tell.
The pricepoint for the class, roughly $150, seems more than fair given the material, the rare and intimate looks Maynard offers on her own writing and the coaching she does for several writers in various stages of memoir writing. The course contains 25 live lessons — that’s just over $5/lesson with a master teacher. The added benefit of being able to rewatch the videos makes CreativeLive such an excellent venue and I am considering purchasing Maynard’s Personal Essay course next.
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